Alessandra Marc is one of the greatest artists of our time. Her voice, sometimes described as the very best in the world, joined with a musicality that is legendary, have in combination created an artistic legacy unequalled in our history. She has triumphed as Aida and Turandot at the Metropolitan Opera, as well as at Covent Garden, La Scala, Rome, Vienna, and Berlin; and has also sang Sieglinde, Brunnhilde, Ariadne, Norma, Salome, and other roles, in the leading opera houses of the world.

Alessandra Marc has created landmark recordings with the very best in the classical music world, including a magnificent recording of the Verdi Requiem under Daniel Barenboim with Placido Domingo and Waltraud Meier with the Chicago Symphony Orchestra; Elektra with the Vienna Philharmionic under Sinopoli with Deborah Voight, Siegfried Jerusalem, and Samuel Ramey; Salome under Donald Runnicles; the Beethoven Ninth under Barenboim with Chicago,; Sieglinde in Walkure under Dohnanyi; the Lyrische Symphony by Zemlinsky under Riccardo Chailly with the Royal Concertgebouw; and numerous others.

Her return to the stage in New York City, at Weill Hall in legendary Carnegie Hall, February 6, 2010, marks a milestone in the history of classical music performance. Whether soaring grandly as the embittered Empress in Turandot or gently caressing the highest peaks of musical brilliance in Richard Stauss’ Four Last Songs, or embodying the passion of Verdi’s Pace Pace Mio Dio, Alessandra Marc defines the highest achievements in Musical Art.